In our globally-mediated age our relationship with the past is increasingly interpreted through the lens of our presentist media. Conventional means of representing and remembering historical events have to some extent been superceded with technological advances permitting increasingly electronically- mediated viewpoints. Indeed, new generations fed on a diet of instantaneous information possess new expectations of how the past should be viewed.

This creates a problem for historians keen to retain a purist perspective on events, and, especially in respect of the Holocaust, the contemporary representation of which is the subject of much critical discourse and debate.

This paper examines one site of contemporary Holocaust representation at the Holocaust Exhibition housed at the Imperial War Museum, London. I consider whether the designers' objectives in seeking an 'authentic' sampling of objects of this event -providing real' signs' of the Holocaust -is adequate to the expectations of visitors of a post-Holocaust generation. This involves exploring how the Exhibition positions 'history' and 'memory', with the latter viewed as problematical given the historical construction of the Holocaust as both 'unique' and 'incomparable'.