MeCCSA - Media, Communications and Cultural Studies Association

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Comments of MeCCSA on the AHRB Review of Postgraduate Awards

May 2001

Introductory Remarks

  1. The Association

    1. MeCCSA is the subject association for the fields covered in its title in UK higher education. It was formed in 1999 following the fusion of two predecessor bodies, the Standing Conference on Cultural, Communication and Media Studies, and the Association for Media, Communication and Cultural Studies. The fused body represents both individuals and departments in Higher Education, and supports and fosters the development of its field.
  2. The Subject Area

    1. The composite and diverse areas covered by this body range across the humanities and social sciences, and embrace both technical and vocational training as well as academic fields of study. The balance between these, in teaching, varies from programme to programme, and the variety of styles and substance of research inevitably leads scholars and graduates in the field to encounters with more than one funding body, an issue to which we return below.

    2. Data from AGCAS suggest that fewer students in this area go on to further study after undergraduate degrees than in many other areas. This reflects two features of the academic field. First, students in these disciplines are readily able to find employment. Despite much press mythology to the contrary, students in cultural, communication and media studies have better employment records after graduation than graduates from most other humanities and social science disciplines, and indeed, than many science and engineering disciplines. Secondly, the field into which many of them move, including the imprecisely labelled cultural or communication or information industries, have been and are likely to continue to be fertile fields of employment for graduates. They provide salaries and opportunities which academic employment can rarely match. Thus the temptations of postgraduate training and academic employment are relatively limited. The expansion at undergraduate level (especially in recent years, though not nearly as massive or rapid as sometimes suggested) is thus not reflected in comparable expansion at postgraduate level, though this is a vibrant sector comprising both academic and vocational courses (and including the recent development of postgraduate training in journalism).

  3. Funding for Postgraduate Study

    1. Students wishing to undertake postgraduate training in our area have faced a particular difficulty in obtaining financial support. There is no tradition in the UK, unlike the USA for example, of industrial support for postgraduate work in communications. The ESRC has provided support for students on taught masters courses, but the most recent data show that relevant MA courses at only 20 institutions received recognition between 1996 and 1999. Studentships in our field, as well as courses, are recognised and supported by the Council's Sociology Subject Area Panel. In 1999 this panel awarded 64 places on taught course and 49 studentships for research degrees. These figures include awards to all fields within sociology as well as the areas in which we are directly interested. While it has not been possible to disaggregate these figures it is obvious that the field receives little or no support within this already overcrowded subject area. ESRC support for taught courses is about to cease with the introduction of the Council’s new arrangements for postgraduate training.

    2. The Arts and Humanities Research Board statistics on its provision of Postgraduate Programme Awards roughly indicate the provision of applications and awards by Board panel. In 1999-2000 these charts would seem to indicate that of 454 awards made in Competition A (taught masters' courses) , roughly 40 per cent were in Visual Arts and Media, while in Competition B (research doctorates) about one third of the 573 awards were in either visual arts and media or the history of visual arts and media (the large majority in the latter category). It is impossible to disaggregate these figures or to give them more precisely and we hope to obtain such unpublished data from the Board. However, the more salient point is the integration of our fields with the very large areas of art and design in such data. Informal indications from the Board suggest very few of such awards are in our subject areas.

Responses To Specific Questions In The Review

  1. Mission and Objectives

    Our concern here is with the definition of its field and remit employed by the AHRB. In a joint statement issued with the ESRC the Board rightly recognises the impossibility of drawing clear boundaries between the social sciences and humanities, and identifies several areas where the boundaries are inevitably blurred. We welcome the sensible view of both bodies that it is undesirable to draw tight boundaries between their respective remits. However we continue to fear that the intention of ensuring that "no application falls into a gap between the two bodies" may be failing both research applicants and students.

    The published commentary on the boundary in our area of work merely says that "which of the two bodies is the more appropriate depends on…the research questions…the wider context…and the methodologies to be adopted", without any guidance as to how those criteria are to be applied. This is of little or no help to intending applicants. While we do not wish to see inappropriately precise demarcation, we feel intending students need more guidance than this on how their research ideas might best be constructed and to which body they might be best advised to turn for support. We would welcome an opportunity to pursue this further with the board, as with the ESRC.

  2. Balanced Portfolio

    We have two concerns under this heading:

    1. Although the breadth of research interests covered by our fields, especially within cultural studies, means that many students may well get support from several of the AHRB panels, we nonetheless feel that it would be of benefit to have a specific panel with a remit for the fields we cover, not least because of the danger that they may be subsumed within the remit of the Visual Arts and Media panel, which has also to cater for the very large body of work in art and design.

    2. Much important work within our fields is theoretical or conceptual. We support the view expressed by several bodies recently in addressing the ESRC that the Council's reconstruction of its guidelines for postgraduate training, in placing a welcome emphasis on the need for rigorous training in methodology, may incidentally limit the resources available for theoretical and conceptual work. The same concern may need to be addressed by the AHRB. We would caution against any possibility that innovative postgraduate research of a more theoretical character would find it difficult to gain support, particularly if balance is unduly shifted towards support with "a direct professional or vocational outcome". We regard the role of the AHRB, as it is of the other research councils, to provide support for innovative blue skies research with no immediate or obvious application, in the interest of enriching the disciplines and laying the foundations for unpredictable innovations in applied areas in the future.

  3. Allocating Awards

    We do not support the notion of quotas for institutions or departments for research awards, which should be driven by assessment of quality and merit.

  4. Research Training and Supervision

    This is a complex area requiring full consideration. The Postgraduate Training Guidelines recently produced by the ESRC have been the focus of much controversy, on the basis of what many perceive to be their unduly prescriptive nature and their excessively quantitative understanding of research methods. The QAA has, in its turn, produced guidelines in the form of a Code of Practice for the standard and content of research supervision. These are matters that should largely be the province of individual HEI's, though minimum standards of provision and support should be required, and applicants should have full information of what they might expect when registered in different departments with differing styles, cultures, or pedagogic methods.

    The range of subjects covered by the AHRB does not easily allow for general statements about 'training requirements, but we do not believe those for arts and humanities students to be in general distinct from those in other subject areas.

  5. Funding

    We do not have a subject specific view on this matter.

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